#trade show design las vegas

[triumfous]

How to Customize Your Exhibit Booth Rental for Maximum Impact

In the competitive world of trade shows and exhibitions, having an eye-catching and effective exhibit booth can make all the difference. Customizing your exhibit booth rental not only helps to capture attention but also ensures that your brand’s message is communicated clearly and memorably. Here’s a comprehensive guide on how to tailor your exhibit booth rental for maximum impact.

1. Define Your Objectives

Before you even start customizing your booth, it's essential to understand your objectives. Are you aiming to generate leads, build brand awareness, or launch a new product? Each goal will dictate different elements of your exhibition booth design and functionality. For instance, if lead generation is your primary objective, focus on interactive elements and easy-to-access contact forms. If brand awareness is your goal, ensure your branding is front and center with striking visuals and messaging.

2. Know Your Audience

Understanding your target audience is crucial for customizing your booth. Research their preferences, interests, and pain points. This insight will help you design a booth that resonates with them. For example, if your audience is tech-savvy, incorporating the latest technology like AR/VR or interactive touchscreens can be highly engaging. Conversely, if your audience values hands-on experiences, ensure your booth includes physical demos or samples.

3. Leverage Your Brand Identity

Your booth should be a reflection of your brand’s identity. Use your company’s color scheme, logo, and fonts consistently throughout the booth to reinforce brand recognition. Incorporate elements that convey your brand’s values and personality. For instance, if your brand is known for innovation, your custom exhibit displays in Las Vegas might feature modern designs and cutting-edge technology. Ensure that your brand’s messaging is clear and prominently displayed to create a strong impression.

4. Optimize Booth Layout and Design

A well-thought-out booth layout can significantly impact its effectiveness. Consider the flow of traffic and how visitors will move through your space. Design your booth with clear pathways to guide visitors naturally from one area to another. Incorporate focal points where you can highlight key products or messages. Make sure your booth is inviting and easy to navigate to encourage visitors to spend more time engaging with your brand.

5. Incorporate Interactive Elements

Interactive elements can greatly enhance visitor engagement. Incorporate features like touchscreen displays, interactive kiosks, or virtual reality experiences that allow visitors to interact with your products or services. Gamification is another effective strategy; consider including contests or challenges with prizes to attract and retain attention. These elements not only make your booth more memorable but also provide opportunities for deeper engagement and data collection.

6. Use High-Quality Visuals and Graphics

Visual appeal is crucial in attracting and retaining visitor attention. Invest in high-quality graphics and visuals that are not only aesthetically pleasing but also clearly convey your brand’s message. Large, bold images and easy-to-read text can draw visitors in from a distance. Avoid cluttered designs and ensure that your visuals are aligned with your overall branding and objectives.

7. Integrate Technology Wisely

Technology can enhance your booth’s functionality and appeal, but it should be used strategically. Consider integrating multimedia presentations, live demonstrations, or product simulations. Ensure that any technology used is user-friendly and enhances the overall experience rather than overwhelming visitors. Proper technical support and troubleshooting plans are also essential to avoid disruptions during the event.

8. Focus on Staffing and Engagement

Your booth staff plays a crucial role in its success. Choose team members who are knowledgeable, approachable, and enthusiastic about representing your brand. They should be trained to engage with visitors effectively, answer questions, and facilitate interactions with any interactive elements. Friendly and proactive staff can significantly enhance the overall experience and leave a positive impression on visitors.

9. Plan for Lead Capture and Follow-Up

Effective lead capture and follow-up are vital for converting trade show interactions into tangible business opportunities. Equip your booth with lead capture tools such as digital forms or scanners to collect contact information. Ensure that there’s a clear process for following up with leads after the event, including a plan for sending personalized thank-you notes or additional information. A well-organized lead management system can help you maximize the ROI from your trade show participation.

10. Evaluate and Refine

After the event, take the time to evaluate the effectiveness of your booth. Gather feedback from your team and visitors to understand what worked well and what could be improved. Analyze lead quality and engagement metrics to assess the impact of your booth on achieving your objectives. Use these insights to refine your approach for future events, continually enhancing your booth design and strategy for maximum impact.

Conclusion

Customizing your exhibit booth rental for maximum impact involves a thoughtful approach to design, technology, and engagement. By defining your objectives, understanding your audience, and leveraging your brand identity, you can create a booth that stands out and effectively communicates your message. Interactive elements, high-quality visuals, and strategic technology use further enhance the visitor experience. With a focus on staffing, lead capture, and continuous improvement, you can ensure that your booth not only attracts attention but also delivers tangible results for your business.

[aarsexhibits]

Trade Show Exhibit and Booth Builder Company Las Vegas

Las Vegas is known for its vibrant trade show center, hosting some of the world’s most iconic events such as CES (Consumer Electronics Show), NAB (National Association of Broadcasters), MAGIC Fashion, and IMEX America. In this fast-paced environment, standing out is essential. AArs Exhibits specializes in creating custom Trade Show Exhibit Designs in Las Vegas to leave a lasting impression. Our services ensure that your booth not only captures attention but is also easy to set up, functional, and aligned with your brand’s identity, all while meeting the unique demands of Las Vegas venues. https://aarsexhibits.com/trade-exhibit-show-booth-builders-las-vegas/

[ksmexhibits]

How KSM Exhibits Ensures On-Time Trade Show Booth Installation Every Time

One of the key factors that sets KSM Exhibits apart from other Trade Show Booth Design in Las Vegas is their extensive experience and knowledge of the industry. With years of experience working with exhibitors of all sizes and across various industries, they have developed a deep understanding of the unique challenges and requirements of each show. This expertise enables them to anticipate and mitigate potential risks, ensuring that every installation is completed efficiently and effectively.

[tjankinson]

Trade Show Booth Rental Displays Company in Las Vegas

Since 2013, we are experts in creating trade show booth designs, trade shows displays, exhibit rentals or booth builders in Las Vegas. We provide world-class service and customer support on site. Contact us for more information on our trade show booth rental in Las Vegas at +1 (945) 284-3055, or email us at info@chronicleexhibits.com to enjoy a hassle-free booth rental.

[boothbuildersusa]

Trade Show Booth Design Companies Las Vegas | Exhibition Booth Suppliers Las Vegas.

Exhibition Stand Builders Las Vegas provide a range of services to clients, including design, logistics, transportation, and installation. They specialize in innovative booth design, ensuring visual appeal aligns with the client's brand identity. They also offer turnkey solutions, interactive technology integration, audio-visual setups, and strategic spatial planning. Client-focused services like project management and post-event dismantling contribute to a seamless experience for exhibitors.

[archivaltrigger]

“Because the US government was not acting on mass shootings, we directly attacked a trait Americans are most known for: their pride in their country. Change the Ref created the Shamecards, a postcard collection designed to demand gun law reform from Congress. Subverting the traditional greeting cards that depict each city’s landmarks, ours show what cities are becoming known for.”

shamecards.org

There is 54 cards total representing:

Annapolis — Maryland: Capital Gazette Shooting

Atlanta — Georgia: Day Trading Firm Shootings

Benton — Kentucky: Marshall County High School Shooting

Bethel — Alaska: Regional High School Shooting

Binghamton — New York: Binghamton Shooting

Blacksburg — Virginia: Virginia Tech Massacre

Camden – New Jersey: Walk of Death Massacre

Charleston — South Carolina: Charleston Church Shooting

Charlotte — North Carolina: 2019 University Shooting

Cheyenne — Wyoming: Senior Home Shooting

Chicago — Illinois: Medical Center Shooting

Clovis — New Mexico: Clovis Library Shooting

Columbine — Colorado: Columbine

Dayton — Ohio: Dayton Shooting

Edmond — Oklahoma: Post Office Shooting

El Paso — Texas: El Paso Shooting

Ennis — Montana: Madison County Shooting

Essex Junction — Vermont: Essex Elementary School Shooting

Geneva — Alabama: Geneva County Massacre.

Grand Forks — North Dakota: Grand Forks Shooting

Hesston — Kansas: Hesston Shooting

Honolulu — Hawaii: First Hawaiian Mass Shooting

Huntington — West Virginia: New Year's Eve Shooting

Indianapolis — Indiana: Hamilton Avenue Murders

Iowa City — Iowa: University Shooting

Jonesboro — Arkansas: Middle School Massacre

Kalamazoo — Michigan: Kalamazoo Shooting

Lafayette — Louisana: Lafayette Shooting

Las Vegas — Nevada: Las Vegas Strip Shooting

Madison — Maine: Madison Rampage

Meridian — Mississippi: Meridian Company Shooting

Moscow — Idaho: Moscow Rampage

Nashville — Tennessee: Nashville Waffle House shooting

Newtown — Connecticut: Sandy Hook Elementary School Shooting

Omaha — Nebraska: Westroads Mall shooting

Orlando — Florida: Pulse Nightclub Shooting

Parkland — Florida: Parkland School Shooting

Pelham — New Hampshire: Wedding Shooting

Pittsburgh — Pennsylvania: Pittsburgh Synagogue Shooting

Prices Corner — Delaware: Delaware Shooting

Red Lake — Minnesota: Indian Reservation Shooting

Roseburg — Oregon: Umpqua Community Collage Shooting

Salt Lake City — Utah: Salt Lake City Mall Shooting

San Diego — California: San Ysidro Massacre

Santa Fe — Texas: Santa Fe School Shooting

Schofield — Wisconsin: Marathon County Shooting

Seattle — Washington: Capitol Hill Massacre

Sisseton — South Dakota: Sisseton Massacre

St. Louis — Missouri: Power Plant Shooting

Sutherland Springs — Texas: Sutherland Springs Church Shooting

Tucson — Arizona: Tocson Shooting

Wakefield — Massachusetts: Tech Company Massacre

Washington — D.C.: Navy Yard Shooting

Westerly — Rhode Island: Assisted-Living Complex Rampage

[fantasticarcadefan]

The Stream

Part 0:The Crash

Warning:Talks about the Natlan drama,references to recent plague outbreaks, other games mentioned

It was a quiet night today, with it raining outside, and you taking refuge in your home. Your parents were on vacation, celebrating their 25th anniversary in Las Vegas for two weeks, leaving you in charge of the house, due to you being the sole occupant of your home.

Currently, you are playing Genshin Impact, having just beaten Divine Consort Radahnn in Elden Ring and needed to make sure that you didn't lose all the runes that you gained. It was sad to lose Sir Ansbach there, with him seeing you as an equal in a land where most saw you as either a lesser being, due to your status as tarnished, or prey in the eyes of the many monsters that inhabit both the lands between and the land of shadows. You couldn't help but wonder what life was like before the game, with all the monsters and beasts that lived in the lands between, especially during the shattering, where the children of the goddess Markia all fought each other for the great runes, fragments of the Elden Ring, which governed the lands between and setting up the rules of nature there.

With the release of Natlan here, you decided to go ahead and travel across Teyvat for one last time before heading off to the nation forged for war. Starting with the plains of Mondstadt, to wandering the streets of Liyue, swimming across Inazuma's islands, traversing Sumeru's forests, and hazing under Fontaine's peninsula, Teyvat was a beautiful place. One where you, like so many other players, wished that you could see with your own eyes. But alas, you couldn't, for no matter how much you could wish for it, the lands of Teyvat were kept behind the eyes of screens, preventing you from traveling there. But as you traveled across Teyvat, you couldn't help but notice new, unseen events occurring.

All across Teyvat, festivals were occurring everywhere there was a population, revolving around a "creator" of Teyvat and their "imminent descent".

In Mondstadt, the festival of freedom was being prepared, where songs were sung of how the creator gave Barbatos the strength and knowledge to help lead the revolution against the tyrant God during the Archon war, and help design the teachings of freedom for the rebels and their descendents to learn. The people of Mondstadt honor the knowledge with them helping remind their children the meaning of freedom and how they should keep it alive so their kids can have the gift their creator blessed them with..

In Liyue,the festival of the trade was occurring, which revolved around tales of the "deal of deals", where Morax made a deal with this creator, where in exchange for the knowledge to form contracts and make divine beings for his nation to be safe in the form of the Yakusha and the Adepti. he had to listen to the advice given to him by the creator, The people of Liyue honor this deal by offering deals that benefit the buyer in the long term, while having a system of favors established for when this festival is done.

In Inazuma, the nation completely changed, with it becoming a merge between Japanese culture, and something unknown with the only point of info there being based on a general history note on the corner of a planner found in Inazuma City talking about the event. "The new decor and style, now found across Inazuma, is based on a combination of Inazuman and Telaki culture, the same culture that the great creator wrote about in their scripts and desires for Teyvat, granting us the power to help make their desired eternity." EI approved the change, with her reasoning being "The creator has means to help carry their will. When I was made aware of my transgressions against the concept of eternity, I knew I had to change my ways to show eternity in the creators image", based on her new voice line regarding the festival. The culture itself bore striking similarities to the nation you were making for you and your friends

In Sumeru, the festival of knowledge was occurring, where the Akademia was retelling the tales of the various scholars that had made great achievements in progress over the years,some of which had been blessed by the creator, leading to great discoveries that helped revolutionize the world of Teyvat into the world that they know it as today. Some of the other activities there involved an open house day at the Akedamida, where parents could visit their kids to see life on the campus, as well an engineering competition between the students, with the winner being granted a position at the Research Institute of Fontaine. Nahida was seen there with Scaramouche, trying to get him to be more social and comfortable with the others there. She seems to be enjoying herself there, happy to be celebrating with her people.

In Fontaine, the festival of justice has retellings of the old myths performed at the Opera Epiclese, mainly those on how the creator set the ideals of the world all day. Outside, some of the other activities there was a fireworks show at midnight, a demonstration of all the recent technological developments across the Nation's institutes, and a new short single player game mode similar to Among Us was established, partially funded by Spina Di Rosula, and helped constructed by the prisoners at the Fortress of Meropride.

With the sudden insertion of a creator for Teyvat, players have begun to draw theories on them, what they're like, and questioning Mihoyo for allowing self-inserts into the game, altering the currently established lore. However, Mihoyo denies purposely inserting a creator into the game, and is conducting an internal investigation to identify how something this big went under their radar with how big it is, with this affecting all of the versions of the game.

Yet, a small percentage of people are questioning if the game is sentient, for modders have been unable to change games files, with attempts to access them failing and being met with the phrase "No false god shall change the design set by our creator", leading to theories that this is some kind of virus, meant to attack Mihoyo for their current Natlan designs and whitewashing.

But you put those thoughts aside, thinking about how chaotic things have been this decade. From Covid at the start of the decade, to a disease called Monkeypox spreading now, this decade went off the rails. But for now, it is not about real life, for it is time for gaming, an escape from reality, you could relax in a world where you are someone else that could make direct changes to another world.

As you begin to travel to Natlan from the outskirts of Sumeru, you find the game starting to look more realistic, with the graphics improving significantly while maintaining the style often found in Mihoyo's games. The land looked amazingly beautiful and lifelike. Yet, something felt odd. It felt familiar, despite you never seeing this land before. Your gut told you to stop playing and turn off the game, oddly, but you decided to ignore it, thinking it was nothing that would put you in danger, but you built up your guard in game in case of an ambush by monsters.

As you kept traveling in the game, being wary of monsters, you felt odd. You felt tired, yet you'd only woken up 6 hours ago. You assumed that it was just boredom and tiredness and kept walking in the game slaying monsters you came across and activating way points. Despite all this, the tiredness didn't go away. Instead, it grew, with sleep becoming heavier and heavier, before you couldn't keep your eyes open. 'Is this what those with Saint Trina feel?' you wondered, falling into a slumber. As you fell asleep, you weren't sure if you heard the traveller, Aether, tell you something, but it was just a murmur to you, as you fell asleep, unprepared for what's to come.

As you fell asleep, Genshin Impact went down for everyone, with them not being able to join on any mode. The developers were unprepared for this, for they haven't released any patches for the game, and believe this to be a cyber attack on their servers, yet only Genshin seems to be the only game down as of now, and no contact has been made with any groups claiming ownership for it.

Across video streaming platforms, Genshin Streamers and Voice Actors alike are talking about the shut down, with streams ranging from theories about its origins, purpose, and those responsible occurring, with lore streams from what has been found in the new update being talked about as well. As the streams about Genshin rage, a new stream emerges. Simply dubbed "The Hunt", there's no account on each of them, with it only showing a timer on it.

Stream will start in 1:08:00:00

1:07:59:59

1:07:59:58

1:07:59:57

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Greetings Readers this idea was given to me by @valeriele3, and I Hope you enjoyed it.

Once more, if you have any recommendations on how to improve my writing, please send it in by an ask me.

See you in the next story!

[mllemaenad]

Do you have any takes on the NCR? I'm relatively new to Fallout, but most of what I know about it is either from the tv show or from your Fallout 4 posting from a few years back, neither of which gives me much of a look at what the NCR was like when it was still around and not blown up. And you generally have good takes on video game factions.

Oh – thank you! I don't know if I'll be able to maintain that reputation, but we'll see. :)

I also don't know what you've started playing or intend to play, so I'll try to keep my spoilers at least a little vague so I don't spoil anything particularly cool for you.

My feelings about the NCR are complicated. You see, they look a lot like us. To be more specific, they look a lot like 20th century Americans. I'm not American and the 20th century was a while ago now – but there's still a lot that's familiar and comfortable. Like watching an older film: some of the slang is a bit weird, and the phones are wrong, but you could have a sensible conversation with these people, you know?

Because of the whole "alternate history" thing, the pre-war world can feel a bit distant. I think the TV series contains the longest stint we've ever had there, although I guess that depends a bit on how long a person takes to slog through Operation Anchorage. You mostly pick up bits of history from old holotapes and terminals. The stories are interesting: sometimes funny and sometimes tragic. But they are very much from another world. A world with a much stronger commitment to poodle skirts and Bing Crosby than we have.

But the NCR? If you play all the games, you live through their rise and fall. I have walked my clueless Vault Dweller into the tiny village of Shady Sands, and been very pleased to find some people who don't want to kill me. I've played the tourist in Fallout 2, walking through the actual modern capital city of the New California Republic – a standout area in a game largely full of shanty towns (there's Vault City but ... Vault City is not a fun place).

And there's genuinely a lot here to celebrate. They are the survivors of a Vault-Tec experiment specifically designed to test how a lot of diverse and contentious groups could live together. I'm not saying there's no bigotry in the NCR, because there is, but it's not built into their ideology the way it is in some other factions. There's a Super Mutant serving among the NCR Rangers in Fallout 2, and a ghoul town was among the republic's founding members. They explicitly state that they welcome mutant immigrants.

They're coaxing agriculture back into the wasteland even in the original Fallout, and they later expand into industry. They've got trade and education (there's apparently a university in the LA Boneyard, a thing I am sad that we never got to see), and they've outlawed slavery. In a lot of ways the rise of the NCR is a testament to human resilience in the face of incredible adversity.

But. Of course there's a but.

They are trying to rebuild on old world principles. There is a reason they look a lot like 20th century Americans. And they have not solved old world problems. As early as Fallout 2 there's evidence of the use of really dodgy expansionist tactics, and by New Vegas you're holding your breath as you watch them. Their army is simultaneously uncomfortably large and stretched too thin. Their economy is in trouble, and too much wealth is concentrating in too few hands. And they're pushy in a way you'd really prefer a democracy not to be. They have innocent blood on their hands.

They remain the good karma choice compared to Caesar's Legion, sure, but "crucifixion, rampant misogyny and mass slavery" are really low hurdles to get over. Their choices are ... troubling.

So there's a lot to critique, too, but in a way that mostly makes me sad. It makes you ask – is this inevitable? Is every society destined to deteriorate like this? Fallout's core thesis is "war never changes", so I think to some extent the answer is yes. At least – there's no perfect system or hopeful beginning that guarantees things won't go wrong. You have to watch all the time, or you end up back at the mushroom cloud.

If I have a critique of the TV series as it stands, it's that the destruction of the NCR by Vault-Tec in a fit of pique is an excellent way to mourn the good in the NCR (the sight of a hole where Shady Sands used to be hurts, just as worrying about the fate of characters I loved who lived in NCR territory hurts), but it does little to explore the problems of a democracy setting itself up as a newborn empire.

With that said, I expect that criticism is unfair as the series had a lot of legwork to do, explaining the world to any newcomers and ... I mean, there's a time and a place for delving into 23rd century politics and that probably isn't it.

I expect that they'll deal with this more in later seasons, particularly as we are headed toward New Vegas, heart of the "guys, are we sure this is a good idea?" NCR question.

[eventtimeltd]

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[erictanart]

In celebration of the Year if the Rabbit, here’s a little lucky guy you might recognize. Disney acquired (or should I say traded?) the trademark for beloved sportscaster Al Michaels way back in 2006. That very week, I was asked to design a figurine for Oswald that would celebrate his arrival at that year’s Licensing Show in Las Vegas. I took a more stylized approach to the character that was loosely based on a lot of vinyl toys I had at the time. I believe 200 resin statues of it were produced for the show and they unfortunately weren’t for sale. Well, that is until they produced pins of the design which you can still probably find at the Disney Parks. It’s your year Oswald! Go nuts!! #oswaldtheluckyrabbit #oswald #lunarnewyear #yearoftherabbit #yearoftgerabbit2023 #disneypins https://www.instagram.com/p/CnwpcMdutNC/?igshid=NGJjMDIxMWI=

[triumfous]

event booth design & exhibition booth design company

Triumfo Inc. specializes in creating eye-catching, functional displays that attract attention and engage visitors. They focus on custom designs that reflect a brand's identity, optimizing space, and incorporating the latest trends to make a strong impact at trade shows. Their commitment and consistency in delivering high-quality booth designs have made them a highly sought-after exhibition booth design company.

[oneart001]

Artist Profile

Education

Art Student League of New York, New York City, NY, United States, 2012 

B. B. A. Seoul National University, Seoul, South Korea, 2010 

Selected Exhibition History

Solo Exhibition 

8469838369766584737978, Stanley Museum of Art, Iowa City, Iowa, 2024

Photometry, Nakanoshima Museum of Art, Osaka, Japan, 2024

The Era of Lithic Landscapes, Northwest Museum of Arts and Culture, Spokane, Washington, 2023 

Synaptogenesis, Seoul Olympic Museum of Art, Seoul, South Korea, 2022

Resonance, The Kulturwerkstatt Auf AEG, Nürnberg, Germany, 2022

Elysian Chronicle: Reflections of the Sublime, Giverny Museum, Giverny, France, 2021 

Beyond the Infinite, CICA Museum, Gimpo, South Korea, 2019

A Monochromatic Flux, Arts Fort Worth, Fort Worth, Texas, 2019

Spectra, New York Academy of Art, New York City, New York, 2018 

Gravitation, Coral Spring Museum of Art, Coral Springs, Florida, 2018 

By Wind, Toronto Media Arts Centre, Toronto, Canada, 2017

Time and Motion, Arts Centre Melbourne, Melbourne, Australia, 2017

Monument, Boston Center for the Arts, Boston, Massachusetts, 2016

De Rerum Natura, Artz Centre, West Lancashire, UK, 2016

Arma Virumque Cano, Visual Art Center of New Jersey, Summit, New Jersey, 2015

Million Miles, Tel Aviv Museum of Art, Tel Aviv, Israel, 2015

Group Exhibition 

HCA Winter Show, Hopkinton Center for the Arts, Hopkinton, Massachusetts, 2024  

Reclaim the Chain, Oculus World Trade Center, New York, New York, 2024

Reinterpretation and Reincarnation of Art Brut, Seoul Finance Center, Seoul, 2024 

India Art Festival, Palace Grounds, Bengaluru, India, 2024  

Reno Tahoe International Art Show, Reno-Sparks Convention Center, Reno, Nevada, 2024 

Annual Studio Art Fair, Ashin Gallery, Yangpeong, South Korea, 2024

Open Call for Artist Exhibition, JRNY Gallery, Las Vegas, Nevada, 2024

Art Spring Berlin, Rathaus-Center Pankow, Berlin, Germany, 2024 

Mundo Geo Connect, Yellow Pavilion, São Paulo, Brazil, 2024

Metaverse Expo Tokyo, Tokyo Big Sight, Tokyo, Japan, 2024 

Paris Open Art, The Holy Art Gallery, Paris, France, 2024 

Fine Art Painting and Photography, Ardel Gallery, Bangkok, Thailand, 2024 

The Haat of Art, Bombay Exhibition Centre, Mumbai, India, 2023 

Emerging Artists, Montreal Art Center and Museum, Montreal, Canada, 2023 

ICT Convergence: Art & Science, EXCO Exhibition Hall, Daegu, South Korea, 2023 

ARTMUC Contemporary Art Fair, MTC Center, Munich, Germany, 2024 

Global Art & Design Education, Blue Diamond, Pune, India, 2023  

Gwanak Art Show, Cultural Platform S1472 x Gwanak Foundation for Arts and Culture, Seoul, South Korea, 2023  

Art on Paper Art Fair, Pier 36, New York City, New York, 2023 

Le Projet, D'Arts en Ateliers, La Réole, France, 2023

Arts and Media, Taiwan Contemporary Culture Lab, Taipei, Taiwan, 2023 

2023 Annual Art Showcase, International Museum of Art, El Paso, Texas, 2023

Art, Beyond the Great: Art Korea Expo, Kintex, Goyang, South Korea, 2023 

The Ottakring Art Station, Kunsttankstelle Ottakring, Vienna, Austria, 2023 

Spectrum Miami, Mana Wynwood Convention Center, Miami, Florida, 2022 

Annual Juried Art Exhibition, West Hartford Art League, West Hartford, Connecticut, 2022 

Art of Living, Forum de Beyrouth, Beirut, Lebanon, 2022 

Holiday Art Show, Northern Contemporary Art Gallery, Toronto, Canada, 2022

Birmingham Studio Art Exhibition, Casa Itzatna, Birmingham, UK, 2022 

Creative Culture and Technology Innovation Exhibition, HKCEC, Hong Kong, 2022 

Ansan International Art Show, Hwarang Art Museum, Ansan, South Korea, 2022 

World Metaverse Show, Dubai Marina, Dubai, Arab Emirates, 2022

Spring Art Show, STAAA Art Gallery, St. Augustine, Florida, 2022

2022 MetaJam Asia: Singapore, Experience Center, Singapore, 2022 

A Contemporary Art Collection, Macau Scientific and Cultural Centre Museum, Lisboa, Portugal, 2022

Evidence Portal: 4 Artists Exhibition, Mirrored Sphere, Seoul, South Korea, 2022 

A New Wave of Contemporary Painting, Young Art Gallery, Daejeon, South Korea, 2021 

Juxtapose, Godsbanen Art Space, Aarhus, Denmark, 2021

Artworks Open Exhibition, ArtWorks Project Space, London, UK, 2021 

Creative Engagement, The Customs House Gallery, South Shields, UK, 2021 

Stratosphere, Cathay View Art Zone, Beijing, China, 2021

Hamilton Art: Signature Exhibition, Hamilton Art Council, Hamilton, Canada, 2021 

Painting and Sculpture, Niko Art Gallery, Moscow, Russia, 2021

ESC Project Exhibition, 98B COLLABoratory, Manila, Philippines, 2021

Call For Artist Group Exhibition, Gallery Art Number 23, Athen, Greece, 2021

St. Petersburg Fine Art Festival, The Gallery, St. Petersburg, Florida, 2021 

Open Studio Showcase, Casa Equis, Mexico City, Mexico, 2021

A HELP: International Art Exhibition, International Association of Visual Artists, Florence, Italy, 2020

Busan International Art Competition, Korea China Japan International Art Association, Busan, South Korea, 2019 

Creative World, PVA Praha, Prague, Czech Republic, 2019 

Melbourne international Art Festival, Melbourne Auditorium, Melbourne, Australia, 2019 

Annual Juried Exhibition, Marin Society of Artists, San Rafael, California, 2019

Art in the City, Gloucester Cathedral, Gloucester, UK, 2019 

Evolution Amsterdam, Westergasfabriek, Amsterdam, Netherlands, 2019 

Korean Culture Festival, Place de Basse Vieille Tour, Rouen, France, 2019 

Kawasaki International Asia Art Festival, Art Garden Kawasaki Museum, Kawasaki, Japan, 2019

Annual Juried Exhibition, Wailoa Art Center, Hilo, Hawaii, 2019

New York Spring Collection, K&P Art Gallery, New York City, New York, 2019

Holiday Festival of the Arts, Center for Allied Arts, Bellingham, Washington, 2018 

Art Works Downtown, 1337 Gallery, San Rafael, California, 2018

Chroma and Form: The Language of Color, Henie Onstad Art Center, Oslo, Norway, 2018

Art of Peace Tyler, Art of Peace Foundation, Tyler, Texas, 2018  

Ocean Shores Art Show, Ocean Shore, New South Wales, Australia, 2018 

North: Emerging Artists , The Gallery 8680, Frisco, Texas, 2018 

Hutzot Hayotzer, Creator’s Complex, Jerusalem, Israel, 2018 

Slipvillan Studio Exhibition, Long Island Art Center Stockholm, Stockholm, Sweden, 2018

ARCH Moscow, The Central House of Artist in the Crimean Shaft, Moscow, Russia, 2018

Art Motivation, International Roerich Art Gallery, Manali, India, 2018

Creative Warehouse Art Show, Kunming Art Loft, Kunming, China, 2018 

Sarasota Winter Fine Art Festival, The Humane Society of Sarasota County, Sarasota, Florida, 2018  

Annual Holiday Treasures, Museum of Dufferin, Mulmur, Canada, 2017 

China Shanghai International Arts Festival, CCSIAF, Shanghai, China, 2017 

Ravenswood Art Walk, Ravenswood Community Council, Chicago, Illinois, 2017 

Art Meets Spirit: Two Artists Exhibition, KCCW, NW Washington, Washington D. C., 2017  

Artists of the Nord Art 2017 International Exhibition, Kunstwerk Carlshütte, Büdelsdorf, Germany, 2017 

New Zealand Art Show, ASB Arena, Wellington, New Zealand, 2017

Kyiv  International Contemporary Art, Kompleks Toronto-Kyiv, Kyiv, Ukraine, 2017

Third Wave Art Project Show, 3rd Wave Initiative, Izmir, Turkey, 2017 

Visions Unbound, Musée Visionnaire, Zurich, Switzerland, 2017 

Encountering the Dreams, Gallery Il Ho, Seoul, South Korea, 2017 

Arts on the Green, Reeves House Visual Art Center, Woodstock, Georgia, 2016 

Hilton Arts Festival, Hilton College, Hilton, South Africa, 2016   

Harmony Arts, Visual Arts Hub, West Vancouver, Canada, 2016 

ART Santa Fe, Santa Fe Convention Center, Santa Fe, New Mexico, 2016 

Doors Opening the Future, EK Gallery, Seoul, South Korea, 2016  

Figuratively Speaking: Open Juried Exhibition, Art League of Long Island, Dix Hills, New York, 2016  

Head On Photography Festival, Project Space, Sydney, Australia, 2016 

Downtown Contemporary Arts, Factory Space, Cairo, Egypt, 2016

Arizona Fine Art Expo, Exhibition Studio, Scottsdale, Arizona, 2016  

Selected Publication

2024 Featured Artist Interview, Visual Art Journal, 2024

The re-incanation and re-interpretation of Art Brut, Narrative Way, 2024

Contemporary Art Collection, Bangkok, Bangkok, Thailand, 2024

Metaverse Expo Toky,o Tokyo, Tokyo, Japan, 2024

India Art Festival, Bengaluru, Karnataka, India, 2024

Festival De La Culture Coréenne, Rouen, Normandy, France, 2024

Momentorum Lux Infinita–The Intersection Of Time And Perception, Iowa City, Iowa, United States, 2024

Toiles Et Imagination : Un Voyage À Travers L'art, La Réole, Nouvelle-Aquitaine, France, 2023

New Dimensions: The Future Of Media Art, Taipei, Taipei, Taiwan, 2023

2023 Annual Art Showcase, El Paso, Texas, United States, 2023

The Forces Of Form, Spokane, Washington, United States, 2023

 Us Starting From Me, Daegu, Gyeongsang, South Korea, 2023

Crack It, Gimhae, Gyeongsang, South Korea, 2023

Miami Art Week, Miami, Florida, United States, 2022

2022 Holiday Art Show, Toronto, Ontario, Canada, 2022

Spring Art Show, St. Augustine, Florida, United States, 2022

Evidence Portal: 4 Artists Exhibition, Seoul, Seoul, South Korea, 2022

Unveiling The Art Of Transformative Narrative And Emerging Perspectives, Nürnberg, Bayern, Germany, 2022

2022 Ansan International Art Show, Ansan, Gyeonggi, South Korea, 2022

2021 Juxtapose Aarhus, Aarhus, Midtjylland, Denmark, 2021

St. Petersburg Fine Art Festival, St. Petersburg, Florida, United States, 2021

New Wind Of Contemporary Visual Art, Daejeon, Chungcheong, South Korea, 2021

Cica Art Now 2020, Seattle, Washington, United States, 2020

Art In The City Gloucester, Gloucester, South West England, United Kingdom, 2019

2019 Busan International Art Show, Busan, Busan, South Korea, 2019

Kawasaki International Asia Festival, Kawasaki, Kanagawa, Japan, , 2019

Echoes Of Light: The Chromatic Abstraction, New York City, New York, United States, 2018

A Curated Collection Of Art, Ocean Shore, New South Wales, Australia, 2018

Frames Of Vision: Stories Told In Colors And Shapes, Jerusalem, Jerusalem, Israel, 2018

Sarasota Winter Fine Art Festival, Sarasota, Florida, United States, 2018

Art Meets Spirit: Two Artists Exhibition, NW Washington, Washington, United States, 2017

Nord Art International Exhibition Of Visual Arts, Büdelsdorf, Schleswig-Holstein, Germany, 2017

2016 Harmony Arts, West Vancouver, British Columbia, Canada, 2016

30Th Annual Collection: A Creative Concert, Seoul, Seoul, South Korea, 2016

Regnum Et Artium: I Chronicle The Realm And The Arts, Summit, New Jersey, United States, 2015

Residency

Kala Art Institute Artist Residency, Berkeley, California, U. S., 2022 

International Center for the Arts Artist Residency, Umbria, Italy, 2019

Award and Fellowship

Selected Artist for the Meta Project and Technology Convergence Art Program, Daegu Foundation for Culture & Arts, 2023

Selected Artist for Contents Marketing Support Program of Gyeongnam Content Enterprise Support Center, Gyeongnam Foundation for Culture & Arts, 2023

Exhibition Fellowship, Ansan International Art Show, Ansan Cultural Foundation, 2022 

Exhibition Fellowship, Evidence Portal: Emerging Artists, Mirrored Sphere, 2022

Honorable Mention, Exhibition of Contemporary Art: A HELP, International Association of Visual Arts, 2020 

Honorable Mention, Busan International Art Competition, Korea China Japan International Art Association, 2019 

Exhibition Fellowship, Sarasota Fine Art, Sarasota Humane Society, 2018

Exhibition Fellowship, Korean Cultural Center Washington, 2017

Best of Exhibition, 2017 Emerging Artist Award, EK Art, 2017 

Finalist, SeoJin Art Artists of the Year Competition, SeoJi

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